![]() West of Lafayette, it’s classical SoHo, with a high concentration of cast-iron buildings (see No. 375) en route to her gallery job, while the photographer Terry Richardson strolled east in gray sweat pants and long sleeves of ink. One Wednesday morning, a young woman in bone-framed Wayfarers and a maxi skirt stopped in to pick up a coffee at Oro Bakery and Bar (No. The nine-block length from Mott Street to Thompson Street, where it forks (creating the prong of Watts and the access lanes into the Holland Tunnel), evolves at every other street corner.Īt the eastern end from Mott to Lafayette, it’s Little Italy - with a whiff of Chinatown, spillover from the Bowery, and the promise of the Lower East Side. In 2012, baby formula is a lot easier to come by and a unit in No. They paid $500,000 for the two cast-iron buildings that are now perfect off-white, pressure-washed specimens nestled into the iconic stretch that Broome Street cuts through SoHo. 463 from their landlord, who was in the rag trade. Conlon, an abstract painter and art professor at Fordham University, and a group of his cronies from the Yale School of Art and Architecture (class of 1967) bought No. It’s a co-op now, which the shareholders own outright. 461, 1,800 square feet that sprawl south from the enormous windows overlooking the street. Conlin, with a laugh.įor a while, the couple rented 5,000 square feet of space for $500 a month. “I breast-fed not because we were hippies, but because there was no Enfamil for 50 blocks,” said Ms. WHEN Bill and Jean Conlon moved into a loft on Broome Street 41 years ago, they felt like pioneers.
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